Lee Remick
Sexy

Boston-born beauty Lee Remick made her film debut in Elia Kazan‘s A Face in the Crowd (1957). Playing a delightfully ditzy drum majorette, Lee caught the eyes and flies of flesh fanciers with her bubbling blonde sensuality. High-visibility pictures such as The Long Hot Summer (1958), Anatomy of a Murder (1959), and Days of Wine and Roses (1962) soon followed, cementing her status as a super-curvy sex kitten. Remick’s blue eyes, buxom breasts, and booming behind are most surprisingly saucy in No Way to Treat a Lady (1968). As the scantily-clad victim of a stalker, Lee’s less-than-ladylike sexcapades are perfect peter fodder for peeping toms everywhere. We then got to eye her barely-concealed privates in The Detective (1968). Skinterestingly, her bangin’ body is shared with a double. It’s all Lee until she begins to take off her bra. At that point she switches with the double. It’s a shame that this was the last prominent skin-showing of her career when nary a nip had slipped. Still, without showing skin, Lee sexified small and big screens with beauty alone. Her later TV credits include QB VII, Jennie: Lady Randolph Churchill, and Around the World in 80 Days, while counted among her film credits are The Omen (1976), The Europeans (1979), and Emma’s War (1988). Unfortunately, Lee passed away in 1991, but she left behind a rich legacy of stunning roles in a variety of projects. Anyone who loves their sex symbols well rounded will be filled with glee by anything involving Miss Lee.